Kamis, 23 Desember 2010

[I885.Ebook] Ebook You Call This Art? A Greg Irons Retrospective, by Patrick Rosenkranz, Greg Irons

Ebook You Call This Art? A Greg Irons Retrospective, by Patrick Rosenkranz, Greg Irons

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You Call This Art? A Greg Irons Retrospective, by Patrick Rosenkranz, Greg Irons

You Call This Art? A Greg Irons Retrospective, by Patrick Rosenkranz, Greg Irons



You Call This Art? A Greg Irons Retrospective, by Patrick Rosenkranz, Greg Irons

Ebook You Call This Art? A Greg Irons Retrospective, by Patrick Rosenkranz, Greg Irons

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You Call This Art? A Greg Irons Retrospective, by Patrick Rosenkranz, Greg Irons

The first-ever collection of one of the underground's greatest art rebels.

If he were alive today, he'd be a superstar. He was that good. But Greg Irons died just as his star was rising. He was only 37 years old when a speeding bus on a busy Bangkok street killed him in 1984. Irons was a psychedelic poster artist, an underground cartoonist, a book illustrator, and an emerging tattoo virtuoso who brought a new sensibility to an age-old art form.

This retrospective book spans his whole artistic career, from his earliest dance posters, to his ground breaking science fiction and horror comix, to his innovative and colorful tattoo art. Greg Irons was one of the elite among posters artists who worked for Bill Graham's Fillmore Ballroom in San Francisco during the Age of Aquarius, designing posters for Chuck Berry, Jefferson Airplane, Big Brother, and Paul Butterfield. You Call This Art?! reprints his finest psychedelic posters in full-color, as well as complete comic stories from Slow Death Funnies, Legion of Charlies, Deviant Slice, Yellow Dog, Thrilling Murder, and many other underground comic books. It also includes rarely seen album cover art for Jerry Garcia, Blue Cheer, Jefferson Starship and other counterculture musicians. Irons had a third career as an illustrator of children's coloring books, and pages from books including One Old Oxford Ox, Last of the Dinosaurs, Pirates, and Wyf of Bathe appear as well. Many examples of his tattoo art are also included.

Think you've seen it all already? Not a chance. This book reproduces not only his greatest artistic hits, but also never-before-seen pages from his private sketchbooks and journals, personal photographs, unpublished paintings, and works that appeared in obscure publications, like the San Francisco Organ, which published the lurid story that Mick Jagger tried to suppress.

This panoramic collection of superlative art is framed by Patrick Rosenkranz's extensive portrait of the artist, based on personal interviews with Irons, his friends, lovers, and colleagues. A candid and revealing depiction of a gifted artist who never abandoned the counterculture. An intimate expose of the all-too-human being behind some of the most revolutionary art in the underground.

  • Sales Rank: #2797973 in Books
  • Published on: 2008-08-29
  • Original language: English
  • Number of items: 1
  • Dimensions: .69" h x 7.94" w x 10.00" l, 2.01 pounds
  • Binding: Paperback
  • 288 pages

From Booklist
Irons was in the second tier of underground-comics artists. He joined the San Francisco comics scene in 1969 and barely missed becoming a regular contributor to the legendary Zap Comix. His style coalesced a bit later, after he belatedly discovered the notorious EC horror comics of the 1950s, which inspired him to apply the genre's devices to the violence in American society in such comic books as Skull and Slow Death. His magnum opus, Legion of Charlies, equated Charles Manson and Lieutenant Calley and is among the 17 stories that appear whole in this retrospective. Irons also designed psychedelic concert posters for Bill Graham's Fillmore Ballroom rock shows, and after underground comics' midseventies decline, turned to children's-book illustration and tattoo art; all three forms are amply represented here. Many of his later comics have still--resonant environmental themes. The directions his career might have taken were cut short by a Bangkok bus in 1984. Irons was 37. This lovingly assembled volume is a well-deserved testament to his legacy. Gordon Flagg
Copyright © American Library Association. All rights reserved

Review
Greg Irons: In the Fire, by Bob Levin tcj.com/top-stories/greg-irons-in-the-fire/

About the Author
Greg Irons was born in 1947 and passed away in 1984.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fine retrospective of a life ended too early
By Olivia Audubon
The work and personal story of a genius who's life was cut short, yet he left a legacy of artwork beyond what many could have achieved in twice the amount of time. A facinating read and inspiring illustrations.

13 of 13 people found the following review helpful.
Hell Yes I Call This ART!!!
By J. A. Goodman
This is the book I've been waiting for, and now I can retire all my old Greg Irons undergrounds to bags and boxes and display this volume proudly on my shelf, and have it at easy access for constant consultation. About the only thing I don't like about this book is the weird day-glo cover design. For some reason it almost makes the book look like an advance copy, as it appears unfinished. Aside from that I couldn't love this book more. Mr. Rosencrantz is generous in his biographical details, family photos, snapshots and art from every phase of Mr. Irons' too short career. This book is well worth every penny it costs, and so few books are these days. If you have an interest in anything from old San Francisco Rock posters, to underground comix, to record album design to book illustration to tattoo art....This is the book for you!!! Can't recommend this book highly enough!!!!

12 of 12 people found the following review helpful.
Fantastic Overview, Gigantic Talent
By Philip S. Wolf
Way back in the summer of 1974, in my: "Starvin' Artist Daze". I had been working on 30 pages of comix art for months. One August morning, I gathered up my guts and drove to Berkeley, and the comix stronghold known as the Print Mint. Shaking like a leaf, I walk into the Folger Ave. office. Inside is Bob DeRita, the owner, at his desk talking to a lanky young guy with long, long blonde hair and a scruffy beard. He's calling him Greg, I have walked in to the office right in the middle of an pay dispute. DeRita, is not in a good mood (To say the least!) and croaks: "Well, whatta you want?!!" Well, by now I'm about to lose my breakfast. After staring at my feet for the next few seconds, I silently shove my art at him. He looks it over (Quickly) and gives it back. "Two words, kid... Art School" was his reply. I'm lookin' at the door, when the other guy, Greg, say's: "Hey man, let me see your stuff!" At this point, I'm ready to crawl under a rock and die, but, I gave this friendly stranger my art. I was hoping this weird person was the owner of The Rip-Off Press. He looks it over for many long minutes (it seemed like hours) and gently hands my art back. Greg, tells me: "You are good man, But, you are readin' too much Crumb, and you are trying to draw Crumb", (He had me cold!)..."But, I see a little of my stuff in your work as well". "Your work?" I whispered. "Yeah", he continued, "Slow Death" & "Deviant Slice". Now, I knew who this guy was...Greg Irons was checking out my work.

Now, it's summer of 2007 and I'm readin' this great book: "You Call This Art?! This is a fitting tribute to an amazing artist. Lot's of his comix art is in here, many of The Filmore West posters as well & lot's of his tattoo Art. I had no idea that Greg had done illustrations for children's books, but, they are here as well. I possess many books about the Underground greats...Crumb, Shelton, S. Clay, etc. BUT, "You Call This Art", is one of the finest publications that I have seen in years, I learned a lot about the man, as well as the artist by reading this one.

Today, looking at Greg's work, three decade's on, it's even better than I remember it way back from the early 70's. There is a lot in that art, you will see the EC influence, that he grew up with. Greg, brought his love of great horror into the underground for all of us to enjoy. This book brings me right back to that time long ago. Times have changed, the Underground Comix business is kaput, and Greg is gone as well.

Oh, yeah...I attended some art classes, and my comics ARE in print in a small mountian newspaper in South Lake Tahoe, Ca. Greg, was a good guy and FANTASTIC ARTIST...This book tells his story with ton's of his wonderful art.
FIVE STARS.

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