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The Satanic Rituals: Companion to The Satanic Bible, by Anton Szandor LaVey
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The Satanic Bible was written by Anton LaVey in 1969. It is a collection of essays, observations and basic Satanic rituals, and outlines LaVey's Satanic ideology. It contains the core principles of LaVeyan Satanism and is considered the foundation of the philosophy and dogma that constitute Satanism.
- Sales Rank: #12105 in Books
- Brand: La Vey, Anton Szandor
- Published on: 1976-12-01
- Released on: 1976-12-01
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .56" w x 4.19" l, .25 pounds
- Binding: Mass Market Paperback
- 224 pages
Features
Most helpful customer reviews
40 of 47 people found the following review helpful.
Not too useful, but intentionally so
By A Customer
The point of this book is provide IDEAS. LaVey has made it clear, both in this book and the rest of his writings, that a true Satanist will devise his/her own rituals and workings. This is just a mishmash of rituals from history and fiction that can provide the creative mind with fertile ground from which the REAL workings can spring. I was very disappointed in this book at first, until I understood its true purpose.
Those who are looking for some magic "formula" that they can follow to achieve "fortune" or other such unimaginative dreams of success would probably be happier with Simon's ridiculous "Necronomicon." Or, alternatively, go join a Wiccan group and dance naked around a fire, wearing power crystals.
12 of 14 people found the following review helpful.
Great book...for Satanists, that is.
By A Customer
This book is a collection of 8 or 9 "dark" rituals either created by LaVey's Church of Satan or taken and adapted from different cultures. There are also some interesting introductions and closing remarks on these cultures and the practice of ceremonial-like magic in general. And that's basically it. It gets 5 stars for being what it says it is: a COMPANION to the Satanic Bible. But as a stand-alone book I know it's not going to appeal to many.
This ISN'T a book for those who immediately want to read and learn about Satanism. That would be like trying to learn about Beethoven by looking at the sheet music for his 9th Symphony! Besides, those who believe everything on TV will be sorely disappointed that these rituals don't involve sacrificing animals, drinking blood, and all that other stuff you see in the B-movies.
This IS however a book for those who have already read The Satanic Bible, and are interested in aspects and further examples of GROUP ritual. LaVey also expands a bit on the subject of ritual magic, whether group or solitary, as discussed in The Satanic Bible. Other occultists might like the book, if anything just to read another man's view of ritual chamber practices, and to see some more examples of ceremonies taken from different cultures. I've seen plenty of impractical and uninformative occult books on the shelves that cost two to four times as much. Being someone who actively performs group rituals, this book was definitely was well worth my $6.
39 of 51 people found the following review helpful.
_The Satanic Rituals_
By Dr. Michael A. Aquino
_The Satanic Rituals_, like its 1969 predecessor _Satanic Bible_ [cf. my Amazon.com review], is most accurately seen in the 1972 context of its creation: to supplement the _SB_'s Black Magical theory. Just as the _SB_ grew out of a series of handouts provided to members of the 1968-70 Church, so the _SR_ was originally a looseleaf collection of ritual texts restricted to its Priesthood during that same period.
The _SB_ contained three elementary *operative* Black Magical workings, but none of the *illustrative* type that Anton LaVey felt equally significant. Illustrative rituals possess no independent power; they are "mind mirrors", enabling the magician to see his will articulated and displayed before him, so that he may adjust and refine it.
In his introductory essay "Concerning the Rituals", Anton further differentiates rituals and ceremonies: A *ritual* affects the practitioner; i.e. it executes a "mind mirror" function. A *ceremony*, on the other hand, is merely a pageant or a play for psychodramatic illustration of a favored belief or philosophy.
The _SR_ is a book in three "layers". The first is that of *literal truth*, which the book purports to be. The second is that of *deception*, which much of the book actually is. The third layer is that of *underlying magical instruction*, which transcends mundane conventions of truth and falsehood.
A person who applies the principles in the book by actually performing the rituals and ceremonies will discover that they *work*. Should he discover the factual flaws in the essays and texts, he will be somewhat confused as to *why* they work. Only then will he begin to realize the truth underlying the art and science of magic: that the powers to create and to define are *functions of the will*. Thus he reaches the _SR_'s third and final layer.
The series of rituals begins with the traditional Black Mass, said to derive from 19th century France's Society of Lucifer. Actually it is a "censored" version of the _Missa Solemnis_ composed by Priest Wayne West (cf. my _Church of Satan_), which in turn drew heavily from J.K. Huysmans' _La-Bas_, the famous classic of French Satanism.
Anton states that the original Knights Templar developed the "Stifling Air" after their 13th century visit to the Yezidis. There is no evidence of such visit, nor does "SA" reflect actual Yezidi theology. He then suggests that the "Stifling Air", as a 6th Degree of the Knights Templar, is designed to follow a rite of the Ancient Arabic Order, Nobles of the Mystic Shrine wherein they travel beyond the "Devil's Pass". In the actual AAONMS ritual text, however, the candidate does *not* enter the pass. "SA" defaults to Anton's own creation, adapted from Raynouard's 1806 drama _Les Templiers_ and James Thomson's 1880 poem _The City of Dreadful Night_.
"Das Tierdrama", again a variation of the original Church of Satan version (_COS_), is adapted exclusively from H.G. Wells' _The Island of Dr. Moreau_.
"Die Elektrischen Vorspiele"'s theme of the "Hounds of Tindalos" derives from Frank Belknap Long's famous 1929 story. It has no Nazi-SS ancestry at all.
"The Homage to Tchort" is supposedly from Russian mythology. But the Khlysty sect was scarcely Satanic in doctrine; its adherents practiced fasting and self-scourging to drive out devils of the flesh, which unsurprisingly evolved into wild sexual orgies.
Confusion over "Melek Taus" arose from the secrecy of the Yezidis' two sacred books, and persists in _SR_, which interchanges their names. The _al-Jalwa_ is properly translated as _The Book of the Revelation_, while it is the *other* Yezidi book - _Mashaf-a Resh_ - that is entitled _The Black Scripture_ (cf. _COS_).
The most blasphemous second-layer deception in _SR_ consisted of my own introductory essay on H.P. Lovecraft, my "Ceremony of the Nine Angles", and my "Call to Cthulhu" (cf. _COS_). In 1971 Anton visited me at the U.S. Army Armor School at Fort Knox, insisting that the _SR_ would just not be complete without them.
The two Satanic Baptismal ceremonies - one for adult Satanists and the other for children who were not actually members of the Church - were both original to the Church of Satan. (I authored the Oath contained in the adult Baptism.)
"The Unknown Known" touches obliquely on Hans Hoerbiger's _Welteislehre_, or Doctrine of Eternal Ice, in which the history of the universe consists of alternating cycles of fire and ice. The "Wel" gained popularity in Nazi Germany because of Adolf Hitler's enthusiasm for Hoerbiger, whom he called "the German Copernicus". Anton, however, creatively interprets the theory in a social, not a cosmological context.
Anton concluded the original dedication page with my name, immediately preceding it with that of my Army boss at the time, Brigadier General George S. Patton III. And I'll leave that a "final mystery" of this exotic, fearsome, and dangerous little book!
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